Supporting material for paper:
D. Tidhar, S. Dixon, E. Benetos, and T. Weyde, “The Temperament Police”, Early Music, 42(4):579-590, November 2014.
Presentation slides from The Temperament Police presentation at the Final DML Workshop.
Temperament profiles used in the paper.
(profiles are specified as deviations in cents from equal temperament)
| Temperament | Nickname (internal) | C | C# | D | Eb | E | F | F# | G | Ab | A | Bb | B |
| Bach/Lehman | lehman | 5.86 | 3.91 | 1.95 | 3.91 | -1.95 | 7.82 | 1.95 | 3.91 | 3.91 | 0 | 3.91 | 0 |
| Equal temperament | et | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Fifth comma | fifth | 8.21 | -1.56 | 2.73 | 2.35 | 1.95 | 6.26 | -3.52 | 5.47 | 0.39 | 0 | 04.3 | -0.78 |
| Fifth comma meantone (wolf G#-Eb) |
fcmtGE | 7.04 | -9.34 | 2.35 | 14.08 | -2.35 | 9.38 | -7.04 | 4.69 | -11.73 | 0 | 11.73 | -4.69 |
| Just intonation | just | 15.64 | -13.69 | -1.95 | -9.78 | 1.95 | 13.69 | -15.64 | 17.56 | -11.73 | 0 | 11.73 | 3.91 |
| Kellner | kellner | 8.21 | -1.56 | 2.74 | 2.35 | -2.74 | 6.26 | -3.52 | 5.47 | 0.39 | 0 | 4.3 | -0.78 |
| Kirnberger II | kirnberger2 | 5.86 | -3.91 | 9.77 | 0 | -9.77 | 3.91 | -5.86 | 7.82 | -1.95 | 0 | 1.95 | -7.82 |
| Kirnberger III | kirnberger3 | 11.73 | 1.95 | 3.91 | 5.86 | -3.91 | 9.77 | 0 | 7.82 | 3.91 | 0 | 7.82 | -1.95 |
| Neidhart 1724 V1 | neidhardt1 | 5.86 | 1.95 | 1.95 | 3.91 | 0 | 3.91 | 1.95 | 3.91 | 1.95 | 0 | 3.91 | 1.95 |
| Neidhart 1724 V2 | neidhardt2 | 5.86 | 0 | 1.95 | 1.95 | -1.95 | 3.91 | -1.95 | 3.91 | 0 | 0 | 1.95 | -1.95 |
| Neidhart 1724 V3 | neidhardt3 | 5.86 | 0 | 1.95 | 1.95 | -1.95 | 3.91 | -1.95 | 3.91 | 1.95 | 0 | 1.95 | -1.95 |
| Quarter comma meantone (wolf G#-Eb) | qcmtGE | 10.26 | -13.69 | 3.42 | 20.53 | -3.42 | 13.69 | -10.26 | 6.84 | -17.11 | 0 | 17.11 | -6.84 |